"Unless we can make daybreak and daily bread and the creative secrets of labour interesting in themselves, there will fall on all our civilisation a fatigue which is the one disease from which civilisations do not recover." G. K. Chesterton in The Listener Jan. 21 1934, quoted in Gilbert Magazine Vol. 10 #6 (April-May 2007)

"To corrupt family relations is to poison fountains; for the sources of the Commonwealth are within the households, and errors there are irretrievable." Edmund Burke, quoted by Andrea Mrozek in Cardus Comment Summer 2016

Ah, the wonders of the steam age. Including that on February 14 back in 1849, James Knox Polk became the first sitting president of the United States to have his photograph taken.

If you’re wondering why he was in office on that date, it’s because prior to the New Deal with its air of constant crisis there was a four-month period between an election and the swearing in of the new president.

Oh, you didn’t mean it that way? You were wondering why somebody called James Polk was ever President? And in his defence I should note first that Polk was elected in 1844 in something of an upset, both as Democratic nominee and then as president, on the pledge to serve only a single term. So he did not run in 1848. (He then enjoyed the shortest retirement of any president, dying of cholera on June 15, 1849.)

Can I say anything else nice about him? Well, he was also elected in part on his pledge to annex Texas which he did, and the United States has generally been better for it. And historians generally credit him with having been a very successful president for having managed to garner support for and pass virtually everything on his agenda. On the other hand, like every other president between roughly John Tyler and James Buchanan, he stands indicted of having failed to halt the drift into bloody civil war.

As for his photo, it’s a somewhat grim affair. But in addition to the expectation that statesmen would look vaguely statesmanlike back then, there was the need to sit very still while primitive film gradually absorbed your image.

It’s a long way from the modern selfie. But in some sense the journey began with Polk.

As I said, the wonders of the steam age.

To me, gothic architecture is proof that modernity is too smug by half. Nothing we have built is remotely as beautiful as this pinnacle of medieval artistry and engineering, and very little even tries. Which is especially amazing given the advanced materials and techniques we possess that means very little of our construction falls down through overly ambitious design. Unlike, say, the spire of Ely Cathedral which bit the mud on February 13, 1322.

Many years ago I read a splendid engineering book for the lay person called Structures, or, Why Things Don’t Fall Down. And I can honestly say I have never looked at the world the same way since. I have been evaluating everything from bridges to docks to sausages and blades of grass differently since reading James Edward Gordon’s 1978 classic. And it helped me appreciate how in the high Middle Ages clerics, builders and designers overcame the natural tendency of stone to sit in sturdy piles including in the early medieval Romanesque style, and sent it soaring into the heavens through innovations critically including the flying buttress.

Mind you, I have also never forgotten his statement that as builders became more and more ambitious, the question with the cathedrals was increasingly not whether the nave collapsed but when. There are things you just can’t do with stone. Including our Peace Tower, incidentally. Much as I like it, there’s an element of deceit there because it relies on steel to assume a shape stone cannot take or, more precisely, cannot retain.

Back to Ely Cathedral, a Saxon abbey from 672 AD subject to such unwelcome attention of various Vikings that it had to be refounded in 970, and was then gradually demolished and rebuilt by the Normans. (Oh, and can I mention that Abbot Simeon, put in charge of the major Norman project, was 89 when he took the abbot’s job and 90 years old when the work began? Not everybody died young and squalid in those days.) Meanwhile the church just kept getting more and more magnificent as the years went by, beginning Romanesque and ending Gothic, and eventually they overreached. But the result can teach us a lot.

The original plan was for a "cruciform" tower like that at Winchester. But a lot of things can happen in a couple of centuries especially if you’re building a vast stone cathedral in damp wet fenlands. Like the ground settling ominously as you go. And then your crucial cruciform tower tumbling down in ruins. Which it did beginning late on February 12.

After various observations not all of which may have conformed to the ideal of monastic life, those in charge decided rather than putting it up again and warning people not to linger in it they would instead create a unique octagonal tower that is not just broader and stronger but also a spectacular achievement that still draws visitors seven centuries later.

So yes, the Middle Ages had spectacular artistic vision and a bold willingness to experiment, to dare, and to adapt in response to failure with yet more brilliant innovation. I do not think anything we build today will even be around in 700 years, let alone be worth looking at if it is.

Let us not jeer lightly at this magnificent civilization and its sublime buildings from our office cubicles, brutalist concrete highrises and plastic suburbs.

"The question is no longer as Dostoevsky put it: 'Can civilized men believe?' Rather: 'Can unbelieving men be civilized?'" Philip Rieff, The Triumph of the Therapeutic

"Run like you stole something." PGA pro Dicky Pride to his golf ball after a drive, July 30, 1994

It is hard to believe that, as late as Edward Coke’s time, it was credible in England to assert that the monarchy was originally founded by Brutus of Troy. (Not et tu Brutus. Another guy.) And yet in Japan it was believed well into the 20^th century that their monarchy was founded in the 7th century BC, specifically on February 11 of 660 BC, by Jimmu, a descendant of the sun goddess Amaterasu. Also of the storm god Susanoo, by the way. I mean, why stop at one?

Now it may well be that the Emperorship was in some way established by a guy named Jimmu or something of the sort in or around 660 B.C. Possibly he set up shop in Yamato on February 11, now celebrated as "National Foundation Day" in Japan. After all, there was a historical figure at the centre of the Arthurian legend, a leader of the Romanized Britons after the legions left, despite later embellishments ranging from the inspiring to the downright silly. And Jimmu too may well have been a real person, or modeled on one.

Brutus of Troy? Not so much. I mean, maybe there was a Trojan called Brutus and maybe he even was descended from Aeneas. But however he got into a 9th century Historia Britonum it was not by ship west from Troy, out through the Pillars of Hercules and then north to glory. Nor was "Britain" named for "Brutus". (Nor, I submit, did Aeneas flee to Italy after the sack of Troy and have a son Ascanius who founded Alba Longa. Nor was Brutus descended from Noah’s son Ham. And so on.)

Perhaps you think it childish of me to make sport of these legends. But I do so in order to draw attention to a crucial difference between the governments, constitutions and political cultures of England and Japan. And I do it while acknowledging that the government of Japan seems in many ways to have enjoyed a more organic and harmonious relationship to its citizens than elsewhere.

The thing is, even if people believed the more fanciful tales about Brutus, and gave them some minor weight in legitimizing monarchy in Britain in principle, nobody ever sought to bolster their claim to kingship, or for sweeping powers for the king, by pointing to Brutus. English kings, going back long before Canute, established their claim to the throne by governing well. And governing tyrannically was never justified by the origins of the monarchy even if people sometimes got away with it for a while. At bottom, Brutus was just a piece of colourful embroidery.

Jimmu was not. Or rather, Amaterasu was not. The Japanese Emperor really did claim divinity, via Amaterasu’s grandson Ninigi, supposedly Jimmu’s great grandfather, and a whole lot of his people believed it. Not all, of course. But those who did not kept their mouths shut or someone shut them permanently for them. And because the Emperor was a living god, to the point that when after defeat in 1945 they actually saw the rather unimpressive figure of Hirohito in his ill-fitting suits (because tailors were not permitted to touch a living god even to measure him) and heard his all-too-human voice they were profoundly shocked.

It sounds as silly as Brutus of Troy. But this claim, which incidentally could not be made in a Christian society, made genuine self-government impossible. Canute rebuked courtiers for telling him he was such a favourite of God that he could command the waves. Japanese Emperors would have rebuked and possibly executed courtiers for telling him he was not himself a God. And it matters.

It’s no accident that a regime headed by a living god could launch World War II even though it was neither morally justified nor practically sensible. Who’s going to tell a divinity he’s a belligerent nitwit?

"A man can have too much civilization, just as a man can have too much beer." G.K. Chesterton, quoted in "Chesterton’s Mail Bag" in Gilbert Magazine Vol. 7 #8 (July-August 2004)