“A South American idol was made as ugly as possible, as a Greek image was made as beautiful as possible. They were seeking the secret of power, by working backwards against their own nature and the nature of things. There was always a sort of yearning to carve at last, in gold or granite or the dark red timber of the forests, a face at which the sky itself would break like a cracked mirror.”
G.K. Chesterton in “The Demons and the Philosophers” in The Everlasting Man, quoted in Gilbert: The Magazine of the Society of G.K. Chesterton Vol. 25 #6 (July/August 2022)