Posts in Famous quotes
Words Worth Noting - July 10, 2026

“I admit that the very best of the tea-table novels are great art – for instance, Emma, or Northanger Abbey. Sheer elemental genius can make a work of art out of anything. Michael Angelo might make a statue out of mud, and Jane Austen could make a novel out of tea – that much more contemptible substance. But on the whole I still think that a tale about one man killing another man is more likely to have something in it than a tale in which all the characters are talking trivialities without any of that instant and silent presence of death which is one of the strong spiritual bonds of all mankind. I still prefer the novel in which one person does another person to death to the novel in which all the persons are feebly (and vainly) trying to get the others to come to life. But I have another and more important quarrel about the sensational novel. There seems to be a very general idea that the romance of the tomahawk will be (or will run the risk of being) more immoral than the romance of the teapot. This I violently deny. And in this I have the support of practically all the old moral traditions of our civilization and of every civilization. High or low, good or bad, clever or stupid, a moral story almost always meant a murderous story. For the old Greeks a moral play was one full of madness and slaying. For the great mediaeval a moral play was one which exhibited the dancing of the devil and the open jaws of hell. For the great Protestant moralists of the seventeenth and eighteenth centuries a moral story meant a story in which a parricide was struck by lightning or a boy was drowned for fishing on a Sunday. For the more rationalistic moralists of the eighteenth century, all agreed that shocking calamities could properly be indicated as the result of evil doing; that the more shocking those calamities were the more moral they were. It is only in our exhausted and agnostic age that the idea has been started that if one is moral one must not be melodramatic. Hence the novel of the tea table has passed the censor everywhere as a thing that cannot be really wrong because there are no murders in it. As a matter of fact I am prepared to wager that as much wickedness has been talked over a teapot as ever was talked over a witch’s cauldron.”

G.K. Chesterton “Novel-Reading” in T.P.’s Weekly 7/4/1911, reprinted in Gilbert! The Magazine of the Society of G.K. Chesterton Vol. 27 #5 (May/June 2024).

Words Worth Noting - July 9, 2026

“Many of the lower middle class are members of labor unions, churches, bowling clubs, fraternal, service, and nationality organisations. They are organizations and people that must be worked with as one would work with any other part of our population – with respect, understanding, and sympathy. To reject them is to lose them by default. They will not shrivel and disappear. You can’t switch channels and get rid of them. This is what you have been doing in your radicalized dream world but they’re here and will be. If we don’t win them Wallace or Spiro T. Nixon will.”

Saul Alinsky Rules for Radicals [and it does help explain MAGA]

Words Worth Noting - July 5, 2026

His childhood faith gradually faded as he grew up. “Why, if God existed, had he allowed so many species to evolve, to flourish, and then utterly to disappear? Why, if he were merciful and good, had he permitted an asteroid to smash into the side of the planet, making the flesh on the bones of dinosaurs burst into flame, the Mesozoic seas to boil, and darkness to cover the face of the earth? I did not spend my whole time worrying about these questions; but sometimes, in the dead of night, I would. The hope offered by the Christian story, that there was an order and purpose to humanity’s existence, felt like something that had forever slipped my grasp. ‘The more the universe seems comprehensible,’ as the physicist Stephen Weinberg famously put it, ‘the more it also seems pointless.’”


Tom Holland Dominion: How the Christian Revolution Remade the World

Words Worth Noting - July 3, 2026

“If any one of my works were a work of art, it would be very inartistic to defend it from critics. A work of art ought to be finished in every sense, good and bad; it should be either done well or done for, or both. This is true of art but not of argument; for I am happy to say that argument is never finished.”

G.K. Chesterton in New Witness 7/5/1920, quoted in unbylined “Art and Thought” compilation in Gilbert: the Magazine of the Society of G.K. Chesterton Vol. 28 #4 (March/April 2025) [my summary “Do it right or do it in” being, for once, worthy of GKC himself.