Posts in International
Words Worth Noting - July 23, 2026

“The whole motif of liberation, which has become so central to our century – be it the emancipation of women, homosexuals, proletariat, youth, appetites, peoples – comes into view at the turn of the century. The term avant-garde has usually been applied simply to artists and writers who promoted experimental techniques in their work and urged rebellion against established academies. The notion of modernism has been used to subsume both this avant-garde and the intellectual impulses behind the quest for liberation and the act of rebellion. Very few critics have ventured to extend these notions of the avant-garde and modernism to the social and political as well as artistic agents of revolt and to the act of rebellion in general in order to identify a broad wave of sentiment and endeavour. This book attempts to do so. Culture is regarded as a social phenomenon and modernism as the principle urge of our time. The book argues in the process that Germany has been the modernist nation par excellence of our century. Like the avant-garde in the arts, Germany was swept by a reformist zeal at the fin-de-siècle and by 1914 she had come to represent both to herself and to the international community the idea of spirit at war. After the trauma of military defeat in 1918, the radicalism of Germany, rather than being subdued, was accentuated. The Weimar period, 1918 to 1933, and the Third Reich, 1933 to 1945, were stages in a process. Avant-garde has for us a positive ring, storm troops a frightening connotation. This book suggests that there may be a sibling relationship between these two terms that extends beyond their military origins. Introspection, primitivism, abstraction, and mythmaking in the arts, and introspection, primitivism, abstraction, and mythmaking in politics, may be related manifestations. Nazi kitsch may bear a blood relationship to the highbrow religion of art proclaimed by many moderns. Our century is one in which life and art have blended, in which existence has become aestheticized. History, as one theme of this study will try to show, has surrendered much of its former authority to fiction. In our postmodern age a compromised may, however, be possible and necessary. In search of this compromise our historical account proceeds in the form of a drama, with acts and scenes, in the full and diverse sense of those words. In the beginning was the event. Only later came consequences.”

End of Author’s “Preface” in Modris Eksteins Rites of Spring: The Great War and the Birth of the Modern Era.

Words Worth Noting - July 12, 2026

Re the end of apartheid then communism: “Communism, weighed in the scales of history, had been found wanting. To [F.W.] de Klerk, pious Calvinist that he was, all this had manifestly appeared the writing of God’s finger on the affairs of the world. This was not, however, how it tended to be seen by policymakers in America and Europe. They drew a different lesson. That the paradise on earth foretold by Marx had turned out instead to be closer to a hell only emphasized the degree to which the true fulfillment of progress was to be found elsewhere. With the rout of communism, it appeared to many in the victorious West that it was their own political and social order that constituted the ultimate, the unimprovable form of government. Secularism; liberal democracy; the concept of human rights: these were fit for the whole world to embrace. The inheritance of the Enlightenment was for everyone: a possession for all of mankind. It was promoted by the West, not because it was Western, but because it was universal. The entire world could enjoy its fruits. It was no more Christian than it was Hindu, or confusion, or Muslim. There was neither Asian nor European. Humanity was embarked as one upon a common road. The end of history had arrived.”

Tom Holland Dominion: How the Christian Revolution Remade the World

Words Worth Noting - July 2, 2026

“This [insistence that all people had dignity, and the most wretched especially] was the conviction that in 369, on the outskirts of a Caesarea ravaged by famine, prompted Basil to embark on a radical new building project. Other Christian leaders before him had built ptocheia, or ‘poor houses’ – but not on such an ambitious scale. The Basileias, as it came to be known, was described by one awestruck admirer as a veritable city, and incorporated, as well as shelter for the poor, what was in effect the first hospital. Basil, who had studied medicine while in Athens, did not himself scorn to attend the sick. Even lepers, whose deformities and suppurations rendered them objects of particular revulsion, might be welcomed by the Bishop with a kiss, and given both refuge and care. The more broken men and women were, the readier was Basil to glimpse Christ in them. The spectacle in a slave market of a boy’s sold by his starving parents, the one child sacrificed that his siblings might have some few scraps of food, provoked the bishop to a particularly scorching excoriation of the rich.... Basil's brother went even further. Gregory was moved by the existence of slavery not just to condemn the extremes of wealth and poverty, but to define the institution itself as an unpardonable offence against God. Human nature, so he preached, had been constituted by its Creator as something free. As such, it was literally priceless. ‘Not all the universe would constitute an adequate payment for the soul of a mortal.’… Gregory's abolitionism met with little support. The existence of slavery as damnable but necessary continued to be taken for granted by most Christians – Basil included..”


Tom Holland Dominion: How the Christian Revolution Remade the World [but you have to start somewhere, and abolitionism more or less started here].