“From an early age, then, Hitler certainly had the temperament, exacerbated by his social circumstances, to become an artist of the ‘adversary culture.’ What he lacked was any exceptional talent as a painter or draughtsman.... Yet in spirit an artist was what he was and, as he would insist to the end, what he always remained.... He would, so he claimed, turn politics and life into art. It was the war, the Great War, that broadened his canvas so immeasurably. Like many in the artistic, intellectual, and radical community, he saw the outbreak of the war in August 1914 as a sudden liberation from stultifying bourgeois constraints, as an opportunity for a new beginning, as a means of bringing about a revolution of one sort or turn another. The remarkable picture we have of Hitler as a part of the crowd in the Odeonsplatz in Munich cheering the announcement of war speaks volumes. He is standing in one of the front rows, this misfit, without friends, without women in his life, without a job, without a future. And yet his face is ecstatic, radiant. The eyes seemed to sparkle. He looked as if – suddenly and as a complete surprise – he had just been informed that all those rejections from the Vienna Academy of arts have been a terrible mistake, and that he, Adolf Hitler, has in fact submitted, with his applications, the finest samples of work the academy has ever received. ‘To me those hours,’ he declared later, ‘seemed like a release from the painful feelings of my youth. Even today I am not ashamed to say that, overpowered by a mighty enthusiasm, I sank to my knees and thanked heaven from an overflowing heart that it had granted me the good fortune to be alive at such a time.’.... ‘It was,’ he said, ‘with feelings of pure idealism that I set out for the front in 1914.’”

Modris Eksteins Rites of Spring: The Great War and the Birth of the Modern Era

“Our image of ourselves as a people was lifted up into heroism by our honourable and solitary defiance of Hitler in 1940, and we liked to see ourselves as the inheritors of Henry V and the imitators of the Greeks and Romans. Of course, these ideas had been quietly subverted for years by the Left, and were secretly despised by a small but influential part of the educated middle class. George Orwell had rightly pointed out in the early months of the war that Britain was unique in having an intelligentsia that despised patriotism. That current in national thought had been suppressed by many things: Russia's entry into the war had allowed even the extreme Left to appear patriotic; the discovery of the extermination camps had transformed a defensive ‘imperialist’ war into a Just War, if only with hindsight; and the powerful myth that the Tories had all been appeasers, whilst the Left had been keen to fight the Nazis (though largely false), had allowed the intellectuals to claim the war as their own. The Suez catastrophe and humiliation, imperial withdrawal from Asia and Africa, and the simple passage of time eventually permitted open mockery of the war years to emerge, round about the time of Churchill's death.”

Peter Hitchens The Abolition of Britain [from my “revolt of the elites” file].

“Fools can be found to support anything…”

Theodore Dalrymple in National Review November 20, 2006 [specifically re people who call the niqab liberating for women].

In my latest Loonie Politics column I identify a variety of self-defeating mental habits on display over the current Middle Eastern war that prevent decadent civilizations from prevailing in long conflicts.

“Her [biographer Catherine Tsalikis’s] admiration for [Chrystia] Freeland’s ambition is obvious. She paints her political views as centrist pragmatism. I would define them as aspirational progressivism. A desire for power exists; she wants to be ‘in the room where the decisions are made,’ but we don’t know why. Freeland’s ‘values’ are a confection of tasteful platitudes that signify status. One might call hers the Audi of ideologies: multiculturalism, globalization, and woke capital, all in the slipstream of careerism. Her insatiable appetite for status is the defining feature and likely her Achilles heel.”

Brad McKenzie reviewing Tsalikis’s Chrystia: From Peace River to Parliament Hill in Dorchester Review #32 (Vol. 15 #2 Summer 2025)

“Many believed Lord Acton when he quipped that power corrupts, and absolute power corrupts absolutely. This throwaway line has become one of our governing principles, so much so that Australia, and much of the West, organize virtually everything by committee and quail in the face of individual thumos outside of sport. We are suspicious of it. We see in every Great Man the shadow of the slave master. Nonetheless, power must be wielded... The wise man recognizes that life has fullest meaning in service to a good master, and that we all serve something — if not something or someone noble, then our appetites. Wartime is the most direct and prime example of service to masters; it is antiegalitarian in their sense, but egalitarian in ours, and together bound by duty and service in the most primordial sense. Against this the pseudo-liberated contemporary person feels a degree of contempt, which is why they enjoy stories of soldiers committing massacres so dearly. Nothing confirms their deepest-held beliefs more sordidly. Good masters are few and far between, because we no longer cultivate this ethic in our technocratic managerial elite. The truth is that in fleeing good masters we have not fled masters, but have merely ended up with bad ones. In attempting to achieve a self-reliant anarchy we have left open the door to those who are in fact most corruptible by power.”

Christopher Jolliffe “The Attack on ANZAC Day” in Dorchester Review #32 (Vol. 15 #2 Summer 2025)

“foreign policy is really domestic policy with its hat on.”

Hubert Humphrey, quoted by Sheryl Saperia, “CEO of Secure Canada”, in National Post August 5, 2025 [NB I do not agree that it necessarily is let alone should be true, but it is certainly a possibility deserving serious thought]

“A medley of spiteful mutants united behind a Leninist project can only be a wholly destructive force, and those of us who cleave to notions of Being with more permanence feel alienated and betrayed by our recently-elevated bad masters. We should not be surprised that they have the deculturalizing effect of rampaging orcs. They are barbarians, and as Chesterton said, the barbarian creates only by accident. Everything else they do is destruction.”

Christopher Jolliffe “The Attack on ANZAC Day” in Dorchester Review #32 (Vol. 15 #2 Summer 2025)