Posts in Arts & culture
Western Civilization: The Battle of Ideas

In my opening remarks to the 2024 Economic Education Association of Alberta “Freedom Talk” on “The Decline of Western Civilization: Our Fate or Our Choice?” in Red Deer, I said the fight to save Western civilization is fought first and foremost on the field of ideas.

Words Worth Noting - July 15, 2024

“try easier” instead of trying to “throw the ball through a car wash and not get wet”

An announcer, I think Rance Mulliniks, during the Toronto Blue Jays-Boston Red Sox game Sept. 12, 2005 [approving of what the pitcher was doing, throwing a lot of breaking stuff then getting the batters to pop up on a high fastball]

Words Worth Noting - July 12, 2024

“THE DEBATE ABOUT NEW FORMS IN ART INTERESTS ME, because my reaction to it is not that of the ordinary reactionary. The first fact I feel is that all this faith in novelty is the very reverse of novel. It is also the very reverse of original. It has now been a convention for more than a century and a half; and it was originally borrowed from the stale and vulgar world of party politics. It is from the old wrangles of Rads and Reformers and True Blue Tories that modern art has borrowed this queer notion of incessant Progress and each generation crowing over the last. When I read all this confident exposition about new methods that must now supersede old methods; of how Yeats and Swinburne must yield to Mr. Eliot and Mr. Pound, just as Tennyson and Browning had to yield to Yeats and Swinburne, I heave a sigh that is full of old and tender memories. I do not feel as if I were reading some revolutionary proclamation of new anarchic hopes or ideals: I feel as if I were reading Macaulay’s Essays.”

G.K. Chesterton in “Novelty in Art” in Illustrated London News Oct. 6, 1928, reprinted in Gilbert The Magazine of the Society of G.K. Chesterton Vol. 26 # 6 (July-August 2023)

Words Worth Noting - July 8, 2024

“During the 19th century, and through much of the early 20th, Hamlet was regarded as Shakespeare’s central and most significant play, because it dramatized a central preoccupation of the age of Romanticism: the conflict of consciousness and action; the sense of consciousness as a withdrawal from action which could make for futility, and yet was all that could prevent action from becoming totally mindless.”

Northrop Frye Northrop Frye on Shakespeare