“The inclination here was to regard the war as a form of art, as a superior representation of life: only when mankind recognized that salvation lay in aesthetic values, in the symbolism of life and death, and not in sterile social norms, would the horror and sadness have meaning and be overcome. As evocation, as an instrument of change, the war had a positive purpose – that was the judgment of many artists, at least early on. The most radical artistic response to the war came from a group of people who made a complete break with traditional loyalties and gathered in neutral Zürich in 1915 to found there the Dada idea – if one can speak of this nihilistic manifestation as an idea. The cohort had an international flavor but its core was German.”

Modris Eksteins Rites of Spring: The Great War and the Birth of the Modern Era

“The BBC reports that the North Hertfordshire Museum will now refer to Roman emperor Elagabalus with the female pronounces of she and her.”

Mark Pilon in “News with Views” “Compiled by Mark Pilon” in Gilbert: the Magazine of the Society of G.K. Chesterton Vol. 28 #4 (March/April 2025)

“Such, in brief, is the Platonic doctrine of Forms or Ideas, but this summary can give no impression of the depths and riches of Plato’s thought and in particular takes no account of another and a very important aspect in which an emotional, one had almost said a mystical, value is found in the striving of the human soul towards an attainment of the perfection seen in the Form, such as that of Beauty.”

David Knowles The Evolution of Medieval Thought [and by no means his only use of the surely peak-pomposity phrase “one had almost said”]

“From an early age, then, Hitler certainly had the temperament, exacerbated by his social circumstances, to become an artist of the ‘adversary culture.’ What he lacked was any exceptional talent as a painter or draughtsman.... Yet in spirit an artist was what he was and, as he would insist to the end, what he always remained.... He would, so he claimed, turn politics and life into art. It was the war, the Great War, that broadened his canvas so immeasurably. Like many in the artistic, intellectual, and radical community, he saw the outbreak of the war in August 1914 as a sudden liberation from stultifying bourgeois constraints, as an opportunity for a new beginning, as a means of bringing about a revolution of one sort or turn another. The remarkable picture we have of Hitler as a part of the crowd in the Odeonsplatz in Munich cheering the announcement of war speaks volumes. He is standing in one of the front rows, this misfit, without friends, without women in his life, without a job, without a future. And yet his face is ecstatic, radiant. The eyes seemed to sparkle. He looked as if – suddenly and as a complete surprise – he had just been informed that all those rejections from the Vienna Academy of arts have been a terrible mistake, and that he, Adolf Hitler, has in fact submitted, with his applications, the finest samples of work the academy has ever received. ‘To me those hours,’ he declared later, ‘seemed like a release from the painful feelings of my youth. Even today I am not ashamed to say that, overpowered by a mighty enthusiasm, I sank to my knees and thanked heaven from an overflowing heart that it had granted me the good fortune to be alive at such a time.’.... ‘It was,’ he said, ‘with feelings of pure idealism that I set out for the front in 1914.’”

Modris Eksteins Rites of Spring: The Great War and the Birth of the Modern Era

“Il y a des folies qui se prennent comme les maladies contagieuses.”

La Rochefoucauld Maximes [Réflexions morales #300]

“Our image of ourselves as a people was lifted up into heroism by our honourable and solitary defiance of Hitler in 1940, and we liked to see ourselves as the inheritors of Henry V and the imitators of the Greeks and Romans. Of course, these ideas had been quietly subverted for years by the Left, and were secretly despised by a small but influential part of the educated middle class. George Orwell had rightly pointed out in the early months of the war that Britain was unique in having an intelligentsia that despised patriotism. That current in national thought had been suppressed by many things: Russia's entry into the war had allowed even the extreme Left to appear patriotic; the discovery of the extermination camps had transformed a defensive ‘imperialist’ war into a Just War, if only with hindsight; and the powerful myth that the Tories had all been appeasers, whilst the Left had been keen to fight the Nazis (though largely false), had allowed the intellectuals to claim the war as their own. The Suez catastrophe and humiliation, imperial withdrawal from Asia and Africa, and the simple passage of time eventually permitted open mockery of the war years to emerge, round about the time of Churchill's death.”

Peter Hitchens The Abolition of Britain [from my “revolt of the elites” file].

“It was the glory of Roman law that it protected the individual against the state.”

Will Durant Caesar and Christ [although he describes frankly the considerable degree of legal and constitutional chaos that existed, including Hadrian trying to draw it all into a Perpetual Edict only the Emperor could change]

“If someone asks him how he [extremely productive historian Niall Ferguson] manages his time, he says, ‘I get up in the morning and work. My puzzle is with people who spend 10 years not producing a book. What do they do?’”

National Post March 14, 2001